
a twine of threads
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Loki follows Gwilym without further question or complaint. Maybe one glance to Aeron, before he moves. The promise of coffee ahead helps, but more of it is that he only has so much energy to give to irritation at his own confusion when the world is busy being very strange around him. "Ian and I leave tomorrow night. Would you care to join us for a drink tonight? We like to drink brandy while our servants pack for us. It makes us feel useful." "Body language," William murmurs, his hand moving from his mouth. "Bricks do not know how to be subtle, cobblestone, shuttered windows. Those are the obvious markings that something is not right, mais oui. The body language of the people will show it far sooner than buildings, yes?" "Seventy-five years," William repeats. "Non non non, we will have to remedy this." He does not grin as he says it, though there is nothing in his expression or energy to say he is upset. It is merely something to be rectified. It is painfully honest. If he were holding anything now, it would have dropped again by this point. Hansl wears his confusion like the finest of clothes - askew to imply the nakedness beneath. "...It is as though you are trapped in marble, and I am here with the chisel and hammer," he grins again, "... trying to find you. Yes? Just as Michelangelo said. The body is in the marble. I am only trying to free it." "Stretta," William commands. His voice is quiet but it carries a command that resonates through both lovers. They halt their motions, their faces twisting with the pleasure and the agony that stillness brings. But they do not move. "There is your picture, yes?" Who am I, to be here? What will I say? I must trust in myself. Trust in yourself, Hansl, I say, and I look in the mirror and I wonder, Hansl, I really wonder, how well can this possibly work out? But there is always talk. With him, as with you, there is always talk. Much of it without consequence. "Now, I am an engineer. I have built many buildings, castles, cathedrals. But I do not know how to reconstruct this friendship. This family. It's broken. So... he has made a new one." Frowning, he shakes his head. "Maybe that is all we can do. Make new families, and leave the rubble where it lies." You made me order it, watch it, regret it. You made me kill you. And I can't forgive you. "His family here has grown, but the family he has had for the last six centuries is struggling, Fiona. We are... I am," he counters, "... grappling with trying to understand why. Why .. in that moment... he sacrificed one for the other." It was good that they removed themselves. The energy was stifling between them, despite their good intentions. What they needed, what they always need to clear the air, was a battle. "So...does he still want to kill me?" There is something on the air that runs from him to you. Without calling you by name, it invites you. Charisma backed with something else, indefinable. "If only we poor human creatures could be guided by the Logic and Reason we crave. Your solutions are not new, they are simply not acted upon. Not so quickly. They say things are changing, more children heard playing in Venice these days. I hope it is so. At night, late," that mouth of his spreads in a smile as he lights up his cigarette, "...you can almost hear the collective breath of the city being held..." "I think," Ian says softly, turning this face to you, "...there is a problem." "...All of this, it was built for you. For us. And we will invest in these things that make sense in a new age. For us. For me. So...that is what we are celebrating, oui? The start of a new day. The culmination of all my work, here and now. And the start of ... something new." Eyes flicker down towards the note, so carefully laid. All this blushing, all these statements, they make his curiosity unbearable. The frown starts as he gazes down the first paragraph, and it only settles more firmly in place by the end. "When the time has come for me to empty myself of all of my tales, I swear to you, good gentlemen, that your stories shall not remain untold." "Layers and layers deep. I fall in, he falls in..." Valan's voice trails off. "We fall in." "Hmm...what is interesting..." What could be more interesting than you in my arms? William is watching his hands move against you from over your shoulder. You sparkle in the water, and like an elusive dream you ripple beneath his touch. "When I first met you, that night at the L'Empereur, you were pressing a blonde man against the stairwell wall." Golden eyebrows lift and he tilts his head. "At the time I did not know Ian, but I do ...and I like him... so I am wondering...what you were doing with your tongue down another man's throats and is this something you make a practice of when Ian is not around?" William exhales slightly. "I know...we have been more open since returning from America. And I have needed that. And I appreciate how difficult it is for you." He adjusts your towel around your shoulder. "There's a part of me that ... wants to take the Directorate by storm one night. You and I... secret marriage... not so secret anymore." But this December, where water was expected (and by one particular visitor, actually anticipated) there is instead snow. And not just a dusting of snow. Several inches of snow hide the stones of the Piazza San Marco and icicles hang from the open mouths of St. Mark's golden lions. The folded towel is set upon the rock beside him and he looks out to the surf. Lastly to you. "It has been good to ... put my head back on my shoulders. To replace the noise with the sea. I needed this." The silence is reassuring. Out here, there is nothing but me and It. We can both forget our crammed souls, the ocean and I. It can forget the fish swimming under its skin. I can put aside these thoughts that have been swimming in my mind. "There is no plan, because you do not need one. This is not your situation to handle, Gui. It is someone else's, if he chooses to do anything about it. And," Ian nods, "...you must be prepared that he cannot fix it either..." "If by boring and predictable you mean to say magnanimous and charming, then... yes," he grins at you, his hands unlacing from where they lay upon his stomach to take out his cigarettes again. Davydd both chuckles and sobs to hear that. Turning his head to his friend, he gives a vipered grin, his eyes creasing in the corners. "Now that's the William I know and love," comes the croak of his voice. "On my ass to the end of time." There is a new story in the images that sail at you. A man with a face of terrible beauty when angered pours himself a drink in the back of a limousine. The bulletproof glass installed as a modification to the old limousine holds up to the throwing of a glass as his temper erupts. His scotch-stained hands go to his head as he sits forward. "Mind my delicate skin," William drawls, preparing to step out after you. "I bruise easily." "They can teach the apes of India to type Shakespeare," William waxes on as he smiles, his head tilting back to see you, "and I can pour a scotch. The wonders of modern science." He winks and he waits for the other evening salutation -- a kiss. "For ill or fair," he says quietly. "You are really improving. Perhaps we should take a trip to Tokyo some time. You can study the masters of Eastern Art, and I can have tea waiting for you." William smiles to think of it. "I can be your samurai, waiting. You? The emperor, of course." "...Does brotherhood end... does love end... when it is needed most? Or does it in such trial confirm its rightness?" William takes a breath, then his undecided look returns. "Am I a fool for caring, Ian..." "...Hell, half the time I expect they're going to stop me at the door and question me like some impostor. But I seem to be the only one asking the questions." But he expects it shall cause no ripple whatsoever, this night at the De Ville, his appearance in the sumptuous halls of his own Clan. Why should it? Would they not have to care first, in order for there to be such a thing? And when have they, exactly. He came in a Plantagenet to a Capet party. This he knows. And as long as he is a Plantagenet, it shall be so. The Hapsburg influence, perhaps - perhaps that is where Hansl ought stand in this court. He is as out of place as ever, here - as out of place as he makes himself. There is an aloofness to him as he stands, the military precision of his bearing back in his spine, hands tucked to his sides or behind his back as he walks here. I am thinking of you, Ian. Of course, always of you. But I am also thinking of this young artist. Of his blood in my mouth instead of this brandy. I am terrible, I know. Mais oui, so terrible. Ah, Paris. Is it ever lovelier than when it is an escape, as from some prison, even if of one's own creation? "Tumult," Sabine decides, voice still careful, "you have seen great tumult. The Emperor is not a light card to have laid upon you. There were responsibilities in your life, and your goal was to ... conquer..." Habits. Old habits that have become impulses, impulses that became compulsions, compulsions that, in some cases, became illnesses. And still we ride to Fontevraud... William looks at you and Ciardan for a time and he shakes his head. I'm not busy. Not now. "It is hard when friends leave us," William offers quietly to the air. The wind will carry his words to you. "I think that I am bored," Ian laments, filling the air. His eyes look up above, gazing there. A careless rest, filled with his usual thinking. "Well," Ian exhales, somewhere deprecating his inaccuracy, "...I find myself, not really looking to do much of anything. Very odd," he says to himself. In truth, he's probably talking to himself more generally. This was once the great hall. We had our Christmases here, our battles here, he would stand at the fire there and not eat his dinner and never see me. You know, it isn't you, amours. I do not need to impress you. I am not trying to impress you. It is worse even than this. I want a ghost to be proud of me. And it is something I shall never feel. A validation I am doomed never to receive. "...Whether it wears the veneer of art or the cloak of insurance or shipping conglomerates. It's the same game. And you know ... how I play, oui? I ... do not have a business such as I do, and control such as I have it, because I am good-looking and lucky." "It's not for me," he murmurs, grinning at the French plate on the Italian sports car. "No one would call me El Hefe. What's that mean, anyway?" Ian blinks in rapid succession. "Well," he exhales, pausing to remove the jacket after a moment later, losing nothing by the shedding of a layer. "I think it is a meaningless challenge." I love him, says the look. Yes, this was a Caravaggio that was meant for William to repair. No one could bear more longing for a golden youth than he does his own. The more peaceful on the exterior, the more tumultuous the internal. The more hectic, war-crazy the exterior, the more peaceful he is within. That is your man there...in all his paradox... "The Never...has no place here," Edward begins, not really sure of where he goes with this. "I was giving praise to your hips," he admits, turning his head on the pillow again. "Singing out their praises as I was grabbing them," he clarifies. "And your thighs. And of course the nice, tight grip...as always..." "I hear that I am somewhat delightful," in the tasting, let alone the knowing, "...hopefully I will suffice," Ian stands, sauntering towards the keep's antechamber, but looking over his shoulder to make sure the guest of honor follows. ...Where once there were oak trees, holly trees sprout suddenly upon the earth both wide and tall. Branches spring with taloned, evergreen leaves, and the forms of living dragons surround the roots and trunks, etched even into the skin of the trees. Same as he. Ian nods, then looks in the mirror again. Hand lifts to adjust his collar, but then he sighs, lowering his hands. It'd be the fifth time he's made corrections. "I have a job for you. I need you to drop whatever it is you are doing for this. It is something that must happen immediately... if it is to succeed..." "We embrace him," William murmurs. "We solve a multitude of wrongs, of problems, we halt a multitude of suffering. For everyone..." This is a William you haven't seen in a while. Not since he retired in fact. It has been a brutal two nights. For everyone. "Well... I'm not angry," he murmurs. "I don't know what I am..." he says suddenly. "...Afraid, I guess. Worried." Davydd pauses in the public sitting room downstairs. A glance in reveals no one. Frown yet in place, he heads to the sofa and table, looking for something to write on perhaps. He checks his pants pockets for anything handy, finding only a tenner. "Tell him," Edward chimes, mostly together, "...I hope it works out like he wants." Have a nice life. William exhales, leaning to put the glass aside on the nightstand. Gathered there are Edward's things. The Browning. Cell phone. Silver case of gak. There is a glass, brandy snifter, quarter-filled with blood (his own). A bit of fresh... "Shite," A large hand hits the steering wheel and the phone is tossed into the empty passenger's side seat. "Why am I the only one making sense," and now I am talking to myself? Hockley. South? South... somewhere... William looks from the sky to his friend again, this time his gaze remains there. "If you cannot remain in Our World, and we ... cannot go to yours... shall there be a middle country? Will Earth do, Davydd?" As garden parties go, it went rather well. There was a string quartet set up on the paved stone area in front of the chapel, allowing for those who wanted to get in a waltz to do so at their leisure. But, in general, the gathering was more low key. It is the look of a man who knows he has been wrong. You've seen the look enough to know it for what it is. But for the first time in... well... this time it isn't about some wrong or other done to you. It is about a Prince (and a duke) knowing that he has acted in a very deplorable way. He is fairly certain that the fountain was never meant to be used in that fashion. "I am not interested in chandeliers, I am not interested in business. I am interested in you. That is what I asked about and that is what I am interested in." You may think that I am not paying attention to him. I am, really. You might not believe it, but it's when we are like this, that he has my full attention and I often have the best epiphanies. What is more important than now? "Why," William begins, "... are you here then. At all?" He leans his head on his hand, fingers propped up against his temple. Maybe he has a headache? It is a thoughtful pose, perhaps. And indigo eyes do focus on you. Peer at you. You are a strange creature. "I don't think I gave you permission to be in my country," comes the rush of amused Welsh, the low and long vowels, the tripping of a lilting consonant, the trill of 'Rs', "... on national Welsh TV no less, high and mighty we are, speaking the language of the Blessed on the Island of the Mighty..." Pastoral delights, indeed. Why, sir, do you mean 'country matters'? Why now, all of the sudden, Shakespeare? You are too much like the Dane, perhaps. Yes, sad over the loss of a father. That's it. And no uncle, not even Villon, can pull you from your mourning. Yes. Well. Nothing makes a better first impression than a pratfall. There is the delicate rise of vanilla in the air, with a hint behind it of something more exotic, Eastern. Ceylon Vanilla, it is called, and distilled by the hands of only one woman in Europe, Constanz deWitt. The most elaborate and the most exclusive of Carnivale events awaits you all, each of you traveling there. You may see it around the bend of the Canal... Oh, god, god, god - if there even is a god. Why are human hearts so fragile? Why do they hurt - why must they break? Why do I long continually for that which I cannot have - or that which will not have me? Lift this cup from my lips, for I'm damned by the taste of it, and so tired... "It's your birthday, god damn it," William smiles, tugging down the scarf to show it. "And I care even if you don't. Come in," he whispers, hand gives you a gentle tug, mouth is cool and warm both -- seeking to warm itself in a kiss, and then he stands aside. Claridge's. Resort of the rich and famous. And apparently the great powers of the undead. Is there anyone actually Alive in this building? He has to wonder. But beneath the fashionable black layers, hats, and scarves, there must remain glamour. Can Caine's childer do without it? For when they stream darkly into the lowest levels beneath the Tate Modern, they reveal their True Selves. "I have missed having a woman on my lap. Long has this playboy," a wink flickers indigo, "...been without a bunny. I have had nothing but hare," men, "... for years now. I will say I do not miss the drama," eyes widen a touch as he grins, "...but I do miss the blushing, giggling, perfumerie of it all." "Something's going on, William. There are two here... who really aren't here." And so by noon the first half of the running of the state had been done and William Plantagenet unstoppable. When one sought to find him in one place, he had already left. Mercurial as Henry. It is the summer of the 1187th year of Our Lord, and in His mercy, He has seen fit to provide a bounteous year thus far, even by Poitiven standards. "Alright news," Ian nods, smirking for the close interruption. "I am much like Midas," Ian observes, "...though saddled with the electrons of this age." He sets the PDA down near his leg. "How is young Montague?" He's walked in Plantagenet's shadow tonight. He's smoked his cigarettes, he sipped his whiskey. Though he and William covered good ground in London, he feels he has been marching on Crusade, his feet in the desert sands, sand in his eyes. His skin feels gritty, even his hair. Guillaume: [Nods.] There is no fairytale in this, Montague. The only happy ending is the one walking here with you. I got to live, you see. Though, incidental to my own story, at times, my fate and destiny not my own, I am the only one with the happy ending... ... [The two gentlemen are seated swiftly at a table outside, on the roof, overlooking the brilliance of the South Bank. Menus and waiters appear, glasses are filled, all without a word. They depart as silently.] Enter VALAN MONTAGUE, the Hip, Young Man About Town. Waiting on the Tower Bridge is the Duke of Normandy, GUILLAUME d'ANGEVIN, clothed in a dark suit with an equally dark overcoat. Your spouse wanders on the parapets tonight, blue and scented smoke trailing his slow stride. It is a way of connecting, disconnecting and imprinting. It is a lord's walk, a prince's walk on the walls, walking among the tower. Below the lights of the ville twinkle and the lights on the Vienne and the bridge that crosses over it. Abbey, hospital, college, tomb and prison -- it moved through its ages like a man or woman, with glorious beginnings, difficult adolescence, opulant maturity and aged ruination. "I need you, William. Too much now. Before, it was wanted you too much. Now...it's something else. I can see it." "You can move to Europe, if you like. Stay here. Stay in Strathfayr. Stay in Switzerland. I don't care. Just...do something. Choose. If you like it here, stay. Who cares about the rest." Whatever that is. The house was likewise full, the downstairs hall became the second gathering place. Staff and vintners and guests alike converged. There was finally a moment, sometime around one in the morning, when he could find you and suggest to you that you should both slip away for a few minutes... An old-fashioned Bacchanal. With attendance by Athens, no less. Under the watchful eyes of Athens, Gaul gives its own tribute to the vine and wine god. Yes, with all the furor of a truly Gallic happening... "I have to ask you something, William," Raymond chirps, leaning on the table with an elbow now. "What is it that you have on Victoria Gifford or her Sire?" he smirks. "A boon enormous? You...saved their lives? You helped her gain status, hmm? You can tell me, I will not repeat it." The ville itself is full of its inhabitants and those of the smaller, neighboring villages. There is music, laughter, even a little tango in the cobblestone streets nearest the castle walls. Every restaurant is packed -- Orangerie, Trente Ans, Dame Lombarde's -- and the air smells of wine, bread, cheese, and the incense of burning grape leaves. Not so far away, Ian floats beneath the water, on the floor of the warm bath. He lets himself sink, like a stone, his back against the stone and concrete. Angelic he looks, with his white-blonde hair scurrying around him, and the hue of warm water casting blueness on his skin. His arms are extended, as if he's drowned, oddly enough. So when the phone rings, his cell phone, on his nightstand, it is not greeted with a quick lift and you, by extension, given a quick and awake greeting but instead continues to ring as a large Plantagenet hand emerges from a pile of bedding and fumbles for it in the darkness. "You talk too much," Ian whispers and smiles softly. A slight pull of his lips. He sighs then, expecting some response will come. "You should pay very close attention to your ensemble. The more attention you pay to it, cher, the more attention... he will pay to it." I feel like I'm Educating Rita. Your homme, not your lord. Your man, your husband, if that word may even come close to describing the relationship. He will be in his boots in the sandy mud. "I call this...making up for lost time," Ian explains. His fingers slide into yours and he stands, pulling to bring you with him. For the past few years, I've looked at restoration from a purely selfish angle. The paintings, my hands, my work, my life... I clasp my hands behind my back as I walk in silence, the Caravaggio in the vault, resting for the night. But all around me, amours, is the evidence of restoration. "I think it is self-fulfilling prophecy," Ian begins in medias res, "...that We," the vampire sort, "...are doomed to destroy any chance of contentment in our damnation. What little fire there is, we snuff. I - I will admit - am very good at such. And I've learned to realize it. I did not expect it to see it today." Dearest Emily. Herein is a goddess from the sands of dead Aegyptus. She spread her wings, in centuries past, to protect her King. Let her now wrap you in her aegis of feathers. Time has a face. It is not his, it is not yours, it isn't even Villon's. Sky and stars, the firmament face of Life and Time, is witness to the epochs and eras, the sole survivor of every revolution, from evolution to humanity's petty skirmishes. You and I have memorized the earth. We have been here before. Safir has been here before. The trees were different, older then. These, these have been planted after the ravages of tall ships and navies emptied the forests of France and Europe. I remember the oak and beech stands, the thickness that could, and did, hide armies. I plan for the inevitable... hoping to subvert it. No different from Prince Theseus... "I have to submit to domination. To have the knowledge of my working on it stripped..." Whatever it is, it is huge. "Penance done," Ian whispers, his tongue leading his mouth to yours once more. "What? What? You know what!" Edward says. "Didn't you think anyone was going to notice that the FUCKING CANVAS WAS MELTING!? Oh, no, no one's going to notice that. No, no. Don't mention that part to Edward, who stood out there and covered your pale, well-fucked ass!" "Actually, I should tell the whole truth. Davydd came home one night, found Vincent coupling with Rose on Davydd's favorite chair. A few week's later, Vincent is involved in a vandalism of Sandrine Jorgensen's flower shop... Sandrine, by this time, Davydd's new lady..." A black eyebrow lifts. "I threw the melting painting in as a bonus." At least...did you enjoy it...Your Majesty? Somewhere in all of that, Ian felt the king find his crown. You can teach an Old Plantagenet new tricks. Perhaps you thought he might never understand. He might never get it. That all of that information was wasted. That those heated conversations in Seattle and later in New Port were just exercises in releasing consonants and vowels to the atmosphere. "Ragazzi bei, entrambi voi...li avro bisogno ancora, presto. E quello che cosa desiderate?" Ian stirs at the lingering touches across his skin, smiling in comfort. "Incroyable," William says, voice carrying as he appears, he grins. Incredible, he says. Unbelievable, he means. "It is good to see you," he says suddenly, warmly in English. Ganymede striding to the shallows, water lowering from chest to waist to hips. There is a glance back past the foyer's reach and into the living room, but then he turns with you and heads out the front door. Behind, two sets of bags sitting with the ghosts of bags past all around them. But this time, their destination is the same... It was 1942 and it had been two months since I had seen him. Him. That would be Ian Dunross. "They say," Ian grins, "...that two RAF officers lived here once. During The War." His own coat is set aside, he also in a rather modern look with priestly tab collars. Ian grins, bending arms to remove his pearl and diamond cufflinks that are as dated as this townhouse. I should not have been surprised, perhaps. This is an extraordinary event. A revelation, a gathering, an exclusive. A social remembering, as we see who is not with us. It's like a breeze, when change comes. The doors fly open, the windows lift, and a wind barrels through that takes the stale, stolid air away. When it's a hurricane, all you can do is hold on. Ian just held on for a few years, not knowing what would happen when the winds died. Girault must steal a look, still it comes with the air of Platonic, See I Am Only Looking, William -- I Have Eyes. There is nothing outwardly lascivious about it. Are you beautiful? Yes, one of the world's most beautiful. "Will..." he whispers, question forming in the sing-song of your name, "...I...have a question. Well, several," Ian grins, looking up to see you. "I guess we call a Toreador we trust." A pause. "The list is short. Girault..." He pauses again, corners of his mouth upturning. "It is a short list indeed when Il Gatto di Firenze floats to the top of it." "I know... what it is to lose. I understand this loss," he says. "I have been where you are now, three times..." The last hour or so was rather uneventful, as most of it she spent as a ruby, as red as the one she wears on her finger. Time passed and she was returned to her normal state, but she remained still and unconscious. Her small body instinctively curled into the fetal position and then stayed there. William opens his eyes. Slowly. You have stopped? Indigo eyes are a shock of violet and blue -- after so much opium, absinthe, tainted blood -- the colors have separated into separate flames, each roiling, color wavering to create the wave-lengths of Indigo. Do vampires dream? Certainly. But this one just hasn't done so in a while. But now she is troubled, plagued by a storm brewing. The dark energy within is tightly coiled, ready to spring forth. So far, it's only done so in short bursts. However, her mind has been left splintered, broken, shattered. "What is that like?" he asks. "Being in love with your favorite subject? To love a canvas and the person?" A not so simple question, though simply asked. He's a small man, topping five feet only by perhaps four inches, and his storm-grey eyes crinkle as he regards the Norman. "It has been a few years, hasn't it, lord." "Guillaume FitzEmpress!" the screeches go. "I know you're here. Hiding." A stop. Boots silent. "Gah, get yer hands off me. Yes, I know I can't come in like this. Yes, I know he's busy. Fuck. I created the word 'busy'." A sigh. "Hey," Edward chirps, "God, you're getting all your oils on my jacket!" Goddess! You're going to consider this? Ian grins even brighter. "A true traveler," he chimes, delighted with the prospect and serendipity of it all. "And you have ended up in our little part of the universe." Hands lowered, Valmiki stumbles, tripping over his own feet, and winces. Oh, this will hurt, when he hits the ground... except the ground isn't where it ought to be, and instead, his forehead catches against a door, producing a hollow clonk, paired by a muttered oath. "Vishnu's balls!" Restoration is a strange process. Often, it is so subtle as to go largely unnoticed. But with the passing several nights, from last year to the next in a single sunrise and sunset, it lies everywhere, obvious. You and he walk the chessboard gallery, two knights, no kings in sight. But as you so adroitly put it: Fuck 'em. Who needs 'em. Hands slide into his pockets as he watches the tiles moving slowly by. The amber hue owed to the lights of Chenonceau, lit as they are every night. But this night, they burn for new residents. And the lights echo across the quick moving waters of the Cher, ripples highlighted. She leans her head back and chuckles, finally murmuring aloud, "When I find him, I'm going to duct-tape him down so he can't wander again. Or maybe I'll chain him up and just never let him leave." For me, amours, the ride was sufficient, the quiet time with you, it was enough. So simple. So much meaning. Where's he going? Everest? No, just outside to check the weather. Ah, winter in the highlands. And it's only the first day! Last night, a package arrived. A couple of glossy magazines with Yours Truly on both the cover and the center spread. And those words in type. You could hear them whispered at your ear as you read them, flecked with Occitan. Your vagabond sister: Victoria. Vagabond because since she left the 'new world', she's not yet settled. Never staying in one place for too long, almost stubbornly refusing to stop and relax, Tori continued to travel over the last year or so, seeming to be searching for something. William inclines his head again, his eyes drifting over you. "You wish to see. You fear what you may see. Tell me... is the price of seeing more costly than the price of being blind?" He laughs. Rich, the sound and warm. And amused. And delighted. And Knowing. "You should not bait the hook, if you do not want to catch a fish, ne c'est pas?" Another point of truth, laid down in a solitaire of them. She's no idea what she's in the middle of... Was he not the one desired? Last year ... not far off in time from this, just after Yule I think. You were longing, bored. Even as you are now. And he arrived like golden fucking dawn, with all his Goodness. And you wanted it. He clears his throat, and his hands unlace and find his pockets. He looks at the floor. "I have... met someone... recently. Very recent. I do not know what I am doing, Ian. He is... mortal... and a magician... and he is moving to Poitiers..." He has been quiet since Ibiza. Barcelona. Venezia. Content to practice his hand at watercoloring, still his favorite. There were a few sudden phonecalls, he suddenly rising and heading within quarters upon loud, flat steps. You may find that what drives you, what impassions you, what interests you, and, truly, what you are fit to do is different from the expectations The Others may have of what you should do. Do not be discouraged. But what I most associate with Spain is Edward. It will always be recalled I am looking over the city lights from the sea shore, smelling the breath and skin of Espana, like you do when you have been parted from a lover for too long and all you can do is quiver and breathe. I do not know what so sets into me about this country. To be a whelp like that. Richard's years have seen too much. Lost too much. And he's not even King of England yet -- bastard Henry. But there's a smile to see the one whose inherited his title. The one his mother told him to give up...for something more. "Will, you are a work," he calls out, swinging down from his own mount. "So basically, wot you're saying is that you can't be bothered to commit, so you stick with people you can use and toss away without worrying they'll come after you with a shotgun." She turns to look over her shoulder, her smirk having more real warmth in it this time, even as her eyes are challenging. "Funny, that. I always thought that's what Kleenex got invented for..." For over an hour, he'd accepted greetings and congratulations, a crowd of beautiful women shielding him from the undesirables. Dressed in violet velvet hip-huggers and violet suede boots, Julian finally emerged from his perch, causing the world to open before him. "When I saw you arrive," the other night when you and Montague disappeared... not to be seen again until tonight. "... I realized what it is that I had done, frere. Without intent, and yet... intent or no, it was... a moment," a pause, "...moments too dear for me to dare take them. It would be as if I had had a camera, hmm?" "In its Beginning. Finding its way, knowing itself," William continues. I could watch it all night. Intrigued. Fascinated. Awed. It is not often, non, that one is able to be a spectator to Love and to a story without being immersed as a character in it. And the view from within is ... never the same as the view from without... What a great old place is this. A hand of Montague strays over his coat as he draws away from the chair and takes a seat near a bookcase. His eyes stray over the titles there. His thoughts stray some six hours southbound. I wonder, mon ami, where you are in your task now. A hand reaches up and fingers toy with the garnets strung at his throat. "The painter of the flower shop, a man of an Artistic Bent, owns a gallery here in the City. Since he did not get enough of paint with the flower shop, I thought you might help with his...artistic development. Some of his works need...touchups. Would you care to hear more?" "I feel like the Caravaggio must feel, oui?" just a moment of French, when he speaks of something utterly Him. And maybe the Boy with the Basket of Fruit is behind it. But... there is not one thing, not one inspiration, but for all of them altogether. It was deliberate. We stayed inside because we feared going out. No, that wasn't it. We stayed in because we were tired of going out. No... "Gwilym!" she beams, hands curled at the rail, "You're here! Ach, lad, it's been a long while!" "No, no, I don't know..." then a spin, "...okay, yeah, I was prepared to knock you on your ass. But not in a bad way..." God, though I am a grievous sinner, spare me from that fate... This is the nature of art. Art, the sphinx. Art, the oracle. Inexplicable and full of meaning... "A poet voyeur," William chuckles, and he lifts the glass to his lips, another sip of Bordeaux. "Tell me, would you be sitting in the corner singing my praises as I sinned, or would you, like some poets, have to experience the ...inspiration as a participant?" Have I won? After a thousand years? I think so, but it is hard to tell. We have such a long way to go. There are some rooms that, when you and he are not here, are simply not used -- or have the residue of tourism. He lights the candles. He opens the windows. Life will be breathed into it again. Chinon resuscitated... "I did not think it was going to bother me, and I do not know why it did. Maybe... it was just not my night," a small smile, a slight roll of his eyes. Indigo, finding humor at himself when the gaze is directed inward. Now the tall man is a handsome man, with a charming smile. He also has an Aura that exudes malevolent bad-ass as much as it does awe inspiring virility. To most people the initial response is going to be to cow away. To Guan Lao it is means only one thing: He must be a warrior. I will ask him. "Stop me... sometime while we are here... tell me No. It will be good for me." He chuckles quietly, half-turning from the glass, and the things it holds to ... others equally nice. "It has been too many years since I have been on the Mediterranean... and with you, with art, with male models and the promise of adventure..." Sensuous, his mouth holds the smile that follows with a scandalous curl. I want you to go to the summit of the western tower. There is a woman there very dear to me. It would please me very much if you would make her happy... And books from Paris now join those of Chinon. Books delivered lately from Scotland now join French bretheren. And the lights in the library remain on all night. Baskets of flowers hang from the awning of every cafe and shop along the historic street, so narrow only foot-traffic may traverse its length. The streets still sparkle with the rain that is still falling. "Your rights to Poitou actually come through my mother... and my grandmother's name was also Aenor. Eleanor's mother..." And suddenly the universe makes sense. It is right to tell this story. It is right that this becomes Truth. Known. Tasted. Swallowed. "So, how goes, chicky? Guess all's well in bells now?" Happy are we, that have learned to love and be loved, teach and be taught, to depend and be depended upon. Happy are we that have learned...that nothing else matters. When I should want to rant and rave, you still me. When I wish to thunder and storm, you steal the wind and with the slightest touch dissolve the lightning. That look. Priceless. And with you, he doesn't have to be so... civilized. So civil. It is ... pure Plantagenet. "I can put the bullet back in, Meurelle... pussy or no..." "'K, um..." Edward's French comes, eyes narrowing at the woman, "...this is the part where I ask you who the hell you are and what are you doing here..." the barrel of the Browning shaking violently as Edward tosses his hand lazily in cadence with his voice, "...and whether or not I need to kill you or whatever..." Do you know I shall show you every room of this castle when I proclaim it jointly yours? Do you know that I shall scrawl it out for all to witness? When I present it to you, no man after shall doubt it... but that it should be so. Vicomte du Poitou... "I'm scared, Will," he gets out, despite the aching tear that threatens to rend him into two. What does it mean...to me? Will I become...ah...there you are Liam. What is a young man who serves another...but a whore? "Yeah, but..." Edward goes on, "...what if I waited...and something happened to him??" his voice nervous and animated. "What the fuck then? Spend an eternity wishing I'd had done it...and he'd still be alive? They're so fuckin' fragile Will. Anything'll kill them." There he pauses for a moment. And you feel a hand return to you, lightly touching your side as the Crusader's cross, the cross of the Duke of Normandy, Prince of England and France, and Eleventh Comte du Poitou is lowered over your head. A lift and a touch of his gloved hand against his partner's cheek as he leans in. A kiss that, though it is brief and for public consumption, is also without shame. A kiss, love, and see my smile? "Handsome, without compare, beautiful. I like this..." Distraction is spreading. William touches his hand to Ian's indigo. You wear my colors. As easily as you wear me . Et vous, Eduard. The last words to leave my lips and they did so ... with so little thought. Distracted. Non. Confused. As if the heart and mind rose up together in concert and in unison spoke. Why now? I should not feel this way. My brother and my friend making... honest outreach. Non, it is ... not important -- the past, that is. And what did... or in this case, did not ...happen. He is happy. I am happy. Oui, it is enough. You miss the look, and it's a pity because it's truly priceless. No one shocks Plantagenet. With nonchalance he smiles and seems to know. Unaffected, even by the most orgiastic visions. But, you've mentioned Dunross... not only by name... rather than the more common epithets of him or even the more common... simply leaving him out altogether... some four or five times. The craftsmanship alone make the figurine worthwile. An old boat, the curved hull made of Lebanese cypress. The fine pieces curve and are joined by the tinest of fittings, mimicing the ships of old. A ship you once travelled in, so very long ago. The king deserves love as much as the peasant... we are lucky, perhaps. But we have worked hard for this luck. No one else knows how much, how hard. He had other plans for Palmer's tonight, until he got your call. A fighter by the name of Yang Ping was to meet for a bit of martial arts. But plans change. Ping had been there regardless, but after finding another opponent and then watching others, he gave a wave and departed. Another time. Instead, Edward mustered himself together to face his cousin instead. While he was glad to see you, there was something else behind his expression. "Ah well... it could have been a worse ending. She could have done worse than William Plantagenet giving her Last Rites, Davydd Llewelyn staking her breast and Edward Meurelle of Blois landing the striking blow..." I find that I could do this for a hundred years. If I had a hundred more. I will never look at the world in the same way. I will smoke cigarettes with a difference. Remember something with every sip of brandy. And smile inanely at passing crowds. Yes, I know something you do not. I know there is something else besides Television and discussions on the weather. I know there is something between the folds of cigarette smoke that you are missing. This is what my smile will say. The children will say, Valan Montague... he is mad. And I will laugh and agree with them. What are you to do once you have tasted meaning in this life? To your right, Edward. There... shadows and the dim light of the bar play against a tall, lean figure. He is shorter than William ... shorter than you. Perhaps six even? And he carries himself ...confident. Approaching, but in a meandering fashion. He is not making a direct approach to you. Rather, he has turned, navigating around a table nearby. A survey around him... as if looking for someone. Looking at you. Blancheflor. White Flower of Blois. In her day, it was said there was not a more beautiful woman in all of France. She was the Medieval ideal. The high-forehead, the small nose, the cherry lips, the apple breasts. Her grey eyes. After the Schism, she took the name of a Saint. ...There was a cream colored rose waiting next to your pillow. Maybe that was a hint that you'd find him here. Or maybe... after all of this time... you don't need hints anymore. You ...simply know. Simply understand. Simply find him, no matter where he might be. She looks up, her golden-white hair cascading around her body. Aphrodite's daughter...she is nothing of Eve. "Will? You...alright?" You are indeed...confused. She peers at you, and then smirks, "Wow, forgotten already?" "A loving hand, a tender thought should all...belie...a giving heart..." There's a warm look of affection as he feels what crosses your heart about Navarre. It is understandable. It is...regrettable. But once where he worried on such, he does not now. Her acts reflect not on him or you, or your love. She will suffer the consequences of what she did. "Put it this way. We..." both of you as hunters, "...just won't tell each other all about it in dirty detail." He laughs and steps out of the closet. "How about that? Don't ask...don't tell?" As a policy. And he chuckles, shoving gloves into a large side pocket. You can feel what has been stirred. Worry, for the first time, that he might lose you to another. The energy was so strong. I want Tavish gone. For a while. "I love you," comes the man's voice, golden light flickering in the small room. It is not much, with hardened dirt for floors and mud stone and thatch for walls and roof. "I do," the older voice reiterates, laughter following from two. One older, one younger. Ah, but in the battles of Fraser and Ross, he shall never be called a laggard, yes? Though, he's already a few shots down. And a few articles of clothing litter the floor. Shoes and socks gone. The platinum watch -- a fairly recent decoration, one of his birthday gifts thank you -- also lies aside. The first casualty to your dead aim, sir. Sudden is the thought that comes to him then. Iain. His hand stills. Comforting like a pair of old but familiar shoes -- is that how the saying goes? It is a strange saying, is it not? For is a friend like a pair of old shoes... or should be? But perhaps it is that feeling of... being worn in. Familiar. Known. What's better than a pair of old slippers, formed perfectly to the feet? Or a visit from an old and dear friend... "What do you think?" querying you. "I think the trip was... hmm...lovely but I'm doubting it was very restful..." That...is the sound of a motorbike. And it is not veering. Soon, a light can be seen in distant wheat, more than likely someone driving through it. The tops of silver-gold bend, yielding to something's approach. You are the bright focus in his universe. To touch you is to touch the Divine and the Desired. "I have brought you things asked for and things not... warm clothes and clean... hello, beauties," he takes time for the horses as he moves toward the bank, quieting his voice. The look says it all: Lie, me? But the grin confirms it. "It is warmer than the Pacific...oui? Get in, she will not bite..." The river that is. He makes no such promises regarding himself. Has either of you felt so Alive? So in tune with each other and the world around that nothing else matters? So unfettered by vampiric life as to feel safe and secure? "Dieu, William Plantagenet," Ian rolls his eyes, still unbelieving after all of these centuries. And as you rise to seek him again, Ian's hand does come out, halting the approach. The fountain speaks with an audible and inaudible voice. It is ancient. Older than these walls. As your hand touches the white marble, images trickle like water... The other? The experience rests in the replay of one's own helplessness. A hunter whose connection rests in self-identification and sympathy, and thus, each hunt is a hope to restore something tarnished to himself. Perhaps, this time, the one hunted will have another ending...and perhaps ease of heart will come. Ice-blue eyes flicker back and forth at the scenery passing by, taking in every tree, every hill, every blade of grass, it seems. To a Toreador who's never set foot in Scotland in her life until now, the passing countryside is a living, breathing portfolio of artwork. "I was telling Will," he smiles, "...that you might be too busy, being Seneschal and all, to come visit an old pair like us." They do not know. Those who look at him and wonder: Why Dunross? They do not know what he knows. They have never seen it. They could never understand it. The smile is sudden. And it is explosive in indigo eyes. Fiery. Igniting. Immediately. "Hello, ami..." And William nearly chuckles. But just...seeing you. He is stopped. Standing. Still... "Oh, great!" screams Edward, "That wasn't really even fuckin' necessary." Fucking Plantagenets. "She," the man seems hesitant to say, to explain why a broken-off flower would need be given to you, "...she...claims that it was as this...after she took the clothing from...the wash." I am a wicked man ... I am a wretched man... As people head into the ring, Edward turns to see you and gives you a smile. "Hey there, cos!" he yells, "Whatcha doin?" as if nothing's happened and you're walking towards him down the street. "And what exactly..." comes the voice at the other end, relaxed and teasing, "...was I supposed to think of that small piece of footage you sent me? Oh, I'm sorry, it was not footage..." Ian purrs, rather amused at it all. "The sun rises early in the north, my love..." A lament. "Hurry home." "But you do know that you should be forgiven," Darius quirks. "God has already said and done so. You are forgiven. His Son has already died for that. It is Done." "While my prayers may be heard by God..." and he doesn't count that as a certainty -- only as a hope. "...I cannot confess... to anyone else. I... want someone to answer to..." "You are the only one who sees them... You are the only one... who has ever been so close to me. That you know me... so well. That to touch my skin, is to feel your own. No... one knows my secrets, but you." "Have you thought how you will encourage the mantle of power transfer and solidify your constituency around you?" His hand is yet gloved and shakes yours. A firm grip. "You are in Spain... but never when I am there... Is William afraid I will sweep you off your feet and convince you to live in Florence with me?" "Yes, we did, it was...unusual," Ian confesses, watching the pilot. An affinity...if his heart was not already taken by another former pilot and commander. "It was nice...being home again." "Why should I have ever thought I could hold Starlight," he whispers, this time to himself. William is quiet for a time, holding his cup in both hands...his elbows resting on the arms of the chair that holds him. His head rests back against the chair's own backing, and with a smile lingering he looks to you. Studies you. Beautiful. The thought causes Ian to cringe and blush simultaneously....he always did like the Fraser brood. But he's known to be a traitor when it comes to his bed. The past cannot be written again, Ian -- but the future can be conceived and born, forged and created... "It was merely time. And I firmly believe in leaving a city better than I found it. And I wish to leave... when such is so apparent." It is how he is known. When he has led a city for Camarilla causes, it has been for similar reasons, with similar results. It was again, his home. And you witnessed William embrace it. He stood in the snow and then created angels as he watched the stars rise over the Northern Sky... And it is as if Cadiz knows you shall soon be leaving... that it makes itself as brilliant, if not more splendid, that the first evening. Incense is lit. Corridors are rimmed with beeswax candles. And the young men of the house are attentive to your every care. And somewhere you hear a song is stirring. William frowns, confused. Aching. "You acted in passion they all should have expected, but I am missing the fucking point, Ian. Should I not do this and think of you? When can I go a day without thinking of you. Goddamn it, if I didn't love you I wouldn't think of you. What the hell do you want?" "Welcome..." the sleepy young man whispers, "...home." A kiss at your cheek, "My love..." And he rose from where he sat. He rose without goodbyes. A stained glass shadow, he abandoned the remainder of the reminders. This is what it is like to be without you. Oh, all of you above who hate me, let this be real. I have not asked for so much, just...him. Stars shine upon the kin silver of Ian's eyes, perhaps twinkling their assent and giving intercession to those higher who hold sway. How you alone know the songs that no one else remembers, a language that he only speaks, save you, recall a time that was everything to him...but is now only books and perverted recollections of fae, myth, and lies that once used to anger him, but now only make him wish for home. |