There is something on the air that runs from him to you. Without calling you by name, it invites you. Charisma backed with something else, indefinable.

     The metallic steel crash of strings rattles through the amplifier in the flat above Black Jack Davy's. It's an hour past noon and Iowerth and his ... companion ... are out for the day. Gwilym Gwyn Garu is taking advantage of the opportunity to break the silence in a noisy fucker sort of way.

     "Why can't you just take something, for once in your life, at face fucking value?" Davydd remarks, amused and exasperated all at once. "I mean, how often do I," he's grinning now, "...apologize for anything?"

     "You know, it's one thing to have doubt in your children and the world they face," Davydd looks to his hands, and then to you. Your looks are sharp; his are blunt as Welsh oaks. "It's another to wish ill on what they do. Who they love. She's marrying well. She seems happy. He's a good man. What else could you possibly ever want for her? Your job is done, it was done well. Mostly, that happens despite our best efforts."

     Those'll stick with him for a while. Every imagined contortion, every fantastical arrangement of bodies he could have imagined were on display, made just by two. Hanging from a special silk sling, a cocoon from the ceiling on hooks. All that was missing in that... fucking circus was a trained dog, a clown and a couple of musically inclined monkeys!

     The electric flamenco stops and Rhodri unjacks, slides the guitar around the back and comes over. "No one pays attention to the ramblings of the lead singer," the lilt and drag of the un-English displays itself. Not Irish. Not Scottish. Something Other.

And when it comes to all night living
I know what I'm giving
I've got it all down to a tee
and it's free... I know you'll miss me
I know you'll miss me
I know you'll miss me blind...

     The rare few plan to be a harpy or become The Harpy because they know the true path - poise first, influence second, power follows. Only then will the crowd point and say - That is the one you need to talk to. That is the one you should impress.

     In an inherited ap Owain motion, Rhodri saves the beer from the sudden motion of you on his lap, his one arm cradling you as his other spreads out to hold the Guinness at a safe distance. He chuckles, "Well, I guess it was a bit foolish to think he'd be right back."

     We are the death and the birth of every year.

     "Stop fighting it then, and call him would you. I'd rather you talk to him on the phone than take your frustration about not calling him on me." He grins suddenly. "Oooh, he's soooo smart, couldn't you just hate him," Rhodri teases in a whispered coo.

     Rhodri chuckles. "You are so uncomfortable with intimacy. Are you certain you're pregnant? It could just be a case of bad gas, you know."

     "As for why it's you..." The smile begins to wander and the emerald eyes begin to glint. "Because you are unique... you are yourself... you weren't trying to impress anyone. Mostly, when I saw you, you wanted to be left the hell alone. You have a certain... fox-like quality... that I recognize in myself.

     "Behold, the coming of the answering of Dreams! That which is sought will be found; that for which you labour will be fulfilled! But every man and woman turn their eyes to the wayward West, and you will find Truth!"

     And it is alive. Though Yew trees and Blackthorns are there, reminders of Death, Life is everywhere. For without Death there is no understanding of Life; and no Life without Death.

     "What we enter into, no man may put asunder," Davydd whispers. His mouth finds yours again. Another mouth brushes against the side of your neck. "You will have us both," he speaks in a hush. "Tonight, and to the end of Time."

'Til I finally died which started the whole world living, oh, if I'd only seen that the joke was on me...

     There's a smirk for your callousness and a roll of his eyes. "Don't hold your breath counting on it, dearie. I'm as like to steal what I want as to wait for it..." And he likely means that. And has likely done just that in his day.

     The luito speaks. I listen. Through its strings, it reminds me of songs that I have sung. Things I have done, all the good things. All the righteous things.

     His weeks of counseling have not gone unnoticed. A quiet has settled in the lowest levels of Notre Dame, seeing that St. Etienne - a joke amongst the Malakim and Cherubim who walk the halls - has withstood the drama flamed by the latest arrival.

     Before, where proficiency of centuries collaborated openly with musical passion there is now virtuosity. And he is the music that he plucks, and he is the notes he plays, solidified.

     Hazel fruit fall from the pregnant trees to the swollen, running river. A land that sings of Death and Harvest, but everywhere there is Life. Life not in its beginning but in the fullness of its power, in the wealth of it, a land in bounty, limitless.

     A single starling lifts from his rest, a single starling takes to the wing, a single starling flies to an open window. The herald, the totem of the Holly King...

     He isn't dead.
     He isn't dead, and he hasn't left...

     That voice is rich as it is earthy is capped off with a grin, and the fingers that finished the song on the twelve-string start another in the in between. For those who can See, he's a wonder in gold. A loitering fairy king on a chair of oak. Everyone is mesmerized, like the legends of old Tam Lin...

     "Who is he? Or was he?" Her eyes go wide. "That Hugh fellow? Or the blonde? Or that bloke, the rich one... the one with the castle," she snaps her finger, "Mr. Big...."

     It was some time after nightfall when the heavens opened wide and all of God's little fat angels -- sort of like Bwci and Rhyddid with wings -- stood at the edges of the firmament and dropped buckets over Wales, with the valleys of Powys catching the lion's share, or cherub's share, of the deluge.

     His words are sing-song power, and here that power is everywhere. As the myths say: the land is the king, the king is the land. Red-blushed and golden apples grow, dip delicately from blossom and fruit-heavy branches as you sail by.

     She falls silent again, blushing as if she's about to burst blood vessels, eyes still tightly closed, so tightly that she must be seeing sparks behind her eyelids. After a few moments, she very cautiously opens her eyes to slits - as if expecting to see something she doesn't like, with her lower lip caught hard between her teeth.

     The look on the German's face is one of discomfort, insufficiently masked by politeness. It is the expression of why are you telling me this combined with exactly how much trouble am I going to be in for now knowing this.

     Her thoughts have flavour to them - soft, like yoghurt with just a hint of vanilla essence and a fash of frangipani, then rich and sweet with just a hint of bite - chocolate truffle with a dash of pepper to it. But now they turn tart and crisp - cranberry flavoured thoughts, perhaps...

     He crowned you and you crown him, a mutual coronation, and two kingdoms fall to a hush for it, like a awed crowd.

Davydd smiles and his mouth lands on your skin, a brush against your forehead and he murmurs there: "Dw i'n ti caru," he says there.

"They love all night and with the dawn,
the lady wakes and her Davy is gone
What a fool she's been to have tagged along
And be known as the Black Jack's Lady..."

     "I don't think I gave you permission to be in my country," comes the rush of amused Welsh, the low and long vowels, the tripping of a lilting consonant, the trill of 'Rs', "... on national Welsh TV no less, high and mighty we are, speaking the language of the Blessed on the Island of the Mighty..."

     Karoly's gaze is hidden - perhaps she glares daggers, but she does not weep; no tears become visible at the veil's edge.

     It's an echo that quivers, but an echo - caught in the stones, as it were, as if a shell being lifted to one's ear, miles and miles from the shore.

     Girault looks between the two of you for a moment and then he exhales, "I will apologize for my tone. I do not wish it to seem that I am some Svengali, keeping Ms. Whitethorne in a gilded cage, not allowing her the freedom to move, or to visit friends..."

     There is the delicate rise of vanilla in the air, with a hint behind it of something more exotic, Eastern. Ceylon Vanilla, it is called, and distilled by the hands of only one woman in Europe, Constanz deWitt.

     The most elaborate and the most exclusive of Carnivale events awaits you all, each of you traveling there. You may see it around the bend of the Canal...

I'm a breather... a receiver and I don't know where I stand not since someone informed me that my house was built on sand... And its not the earth beneath me, just some concept of the land...

     He lifts a hand, he puts it gently to your face and he kisses you once, briefly. "I love you. Find me." And with the trailing touch, his hand falling away, Pharzuph turns to go. Follow me, he pleads. Even as his eyes plead such a case before, he pleas again. Follow me.

     The world is topsy-turvy tonight. Lust out of whack, Love out of season, arrows off the mark, and faerie men rebuffed.
     What's the world coming to?

     It's like a fireplace throwing off sparks, in some ways, isn't it? The magic in the song is as real as the song itself, rolling through the room, even if most of the room can't sense it.

     "Alright news," Ian nods, smirking for the close interruption. "I am much like Midas," Ian observes, "...though saddled with the electrons of this age." He sets the PDA down near his leg. "How is young Montague?"

     An old-fashioned Bacchanal. With attendance by Athens, no less. Under the watchful eyes of Athens, Gaul gives its own tribute to the vine and wine god. Yes, with all the furor of a truly Gallic happening...

     In each vineyard, there are feet crushing grapes, juice that is tasted, wine that will be made from the old-fashioned labor of feet. This wine will be used next year, in hopes for a better harvest than some have seen due to the strange late summer weather.

     The ville itself is full of its inhabitants and those of the smaller, neighboring villages. There is music, laughter, even a little tango in the cobblestone streets nearest the castle walls. Every restaurant is packed -- Orangerie, Trente Ans, Dame Lombarde's -- and the air smells of wine, bread, cheese, and the incense of burning grape leaves.

     Your nights are spoken for. You are risen gently just past sunset. You are led into a great hall and made to sing scale after rising scale, stretching your vocal chords, working your vocal chords. Sometimes with Girault there correcting you.

     There is one more in the club, now, than there was a moment before. The vertigo and emptiness shifts to a momentary feeling of claustrophobia, then flees entirely.

     "I've seen your flag on the marble arch
     love is not a victory march
     Its a cold and its a broken hallelujah..."

     There is a chuckle as you mention Sandrine pruning your plants. "Well, it could have been worse." Glancing to you, she murmurs quietly, "How will you tell her? How do you think she will take it..." ...take us?

     Girault must steal a look, still it comes with the air of Platonic, See I Am Only Looking, William -- I Have Eyes. There is nothing outwardly lascivious about it. Are you beautiful? Yes, one of the world's most beautiful.

     .... When I came to stop below a hill that marked one end of the valley that had pierced my heart with terror, I looked up toward the crest and saw its shoulders already mantled in rays of that bright planet that shows the road to everyone, whatever our journey...

     "I thought you might like some company," his voice reverberates against the mist, echoing, melody found in it. He seems to sing, even when he does not. And when the face of Girault looks upon you, he beams.

     For me, amours, the ride was sufficient, the quiet time with you, it was enough. So simple. So much meaning.

     The song, well - it grants insight, in part, perhaps, but there's hesitation paired with it. No jumping to hasty conclusions, here. When the song morphs, she smiles faintly, though a troubled expression still holds on her face. Maybe, maybe tonight, she'll tell him.

     "Mary," Davydd sings out, staring through the lights to his favorite waitress. "Mary had a little beer, it's head was white as snow..." The crowd roars and the band behind him, chuckling, begins plucking out the children's tune. "...and everywhere that Mary went, the Guinness was sure to go..."

     Perhaps prayers will be resumed. Perhaps he's just stalling...

     There is something... a sound... like wind in the leaves. Perhaps the hissing of a serpent. Laughter? "Joy and sadness..." The consonants linger. "Well, musician, if you can bring true pleasure to Misfortune Himself, then I will grant you the wish of one secret's revelation..."

     O, amice. I cannot get the thought and feel of your blood upon the marble of your gallery out of my mind. I have wandered now these past weeks. I have attended meetings in your stead. I have tried to tend to your business for The Clan. I have expressed regret, sometimes diplomatically, sometimes passionately. But your death, amice, has left a hole in me. And who shall fill it for Antonio?

     "Finding the Doge's Gold," the one across from you says in all seriousness. "Maybe..." he smirks, turning around to see you, "...I can become wealthy and you can haunt me in better surroundings," a smile growing.

     Kit lifts his cup in a little salute to you. "Purity... that is something we can aspire toward, hmm? Some choose purity, others truth, others honor. We all have an ideal that we chase, like birds chasing after a comet. But it is the effort, I think, that is rewarded. Not the capture..."

     "Maybe... we have been... because I had to realize it. Sometimes..." his voice goes soft. "...sometimes I have heard it happens that way, Brother Hope. Would it be wrong of me to say I was hoping for something a bit more... dramatic?" Kit tries to laugh, but he cannot. It's not funny.

     While your little feet sounded out the measure of your steps until they ended...well, wherever you stopped... the cherub -- for that's what he is -- quickly closed his eyes. Not attuned to you, he knows nothing about you, nor can he grasp who... or better yet what... you may be, little girl who moves quick like swallow. But he can, and therefore does, trace his Master's sigil on the nearest wall. Finger dragging the stucco and plaster in quick calligraphic swirls. "Just in case," he whispers to the stucco there...

     The man at the door turns around, light brown hair falling into his green eyes. "Buoa mattina," he chimes, smile radiant. Beauty incarnate. Rather lithe, he looks like a dancer, despite the obvious clues of dressing in spandex pants and a sweatshirt. He's recently come from practice, it seems, and in his hands is a dish, covered in a towel.

     I have taken the back ways, the maze of small walkways and smaller bridges. Past the smell of bread baking -- truly, the very best definition of 'warmth' -- and the sound of a television set as I move past a cafe. I have come to speak with the ghosts of Monteverdi and Vivaldi. And to listen to the dreams of children. This way... the only way... to find my own...

     With the tuning note, in time with it, she slams her fist back, into the wall. If Huw needed another spike, well, he's got one in spades, now - that energy which had gone so deceptively quiescent rises, tearing out through her skin.

     "It's alright," he says, "...it'll be alright..." Such words, such famous words. But he doesn't stop, and a hand reaches out, lightly moving against a reddened cheek. And he kisses you anyway.

     "As for home," another shrug and Dei takes another swallow. "Who knows. Maybe that's not it at all. I guess it's the connection to the people I left behind," he says. He looks into his drink. "The feeling of separation. I guess I'm not cut out for touring..." And he makes a wry smile.

     There's no escape. In a thousand guises, I insinuate myself into a thousand copulations. Dawn into dusk, dusk into dawn. Bed to bed, nation to nation. I forget by not having time to remember. But what happens when the solace becomes so used that it's hollow. Even the solace becomes part of the act. The endless fucking act...

     "All the information's in that there card," she informs Erik, Jared, and Dei in a tone which for her, is amiable to the point of mellowness. "I'm a reporter, I can ask you set questions if you like, or I can make it up as we go, or you can tell me to go get stuffed." Her own accent is London punk, with a hint of something a bit better educated creeping through underneath. "I'm Drancy."

     Slender fingers light upon the napkin and draw it toward him, fingers that, curling, lift it. He reads it. He tucks it away. Safely, in a pocket. Andrealphus looks at you through his mortal shell. A mask that he does not move away, but do you know just how transparent it feels? O, what would it be like...
     What would it be like to Love again...

     "However dark your paths, Davydd... think you not that our own paths contain no darkness. Wherever she goes, she is a flame, and shadows will approach. We cannot take her from this waking world o'erlong - for a span of time, and no more, any the more can we you. Her spark will continue to burn, Davy-bach. And where a fire burns, there will be those that seek to warm themselves."

      The eyes reflected in the glass go down along with your hand. "Well... see... it's just not as easy as that, Julian Kane. Andrealphus is missing. He's gone. His temples are empty... no one's seen him in ... "

     I know that is why Ian and William are here. So removed from all of that noise. The press and the push of it. And I think they are wise men. And I think that this is a lesson of them that most men miss.

     The laughter begins again, a mist between the tinkles. A man's gentle amusement, a girl's trippling chuckle. Between the spates of giggles, a rustle and gentle purr.

     Spinning glass. A globe suspended in midair rotates with a glassy glare. Casting colors to the walls. The lighting low, but for the candles sparking here. Flickering there. And so a constellation forms upon the ceiling. Two fingers holds a silver chain.

     "I hope that is how it goes," Soldekai says, a whispered hope of his own. Only you know them...as it goes. "I ask for the day that we no longer...are as we all are..."

     The Mad Danes have long since left the makeshift stage. The college crowd has come and gone. The true drunken poets and philosophers yet remain. The last few patrons lingering, loitering, waiting on that Last Call.

     The Mad Danes consist of four musicians. All coming from very divergent backgrounds -- jazz, celtic traditional, classical. Only two ever sing. Hotspur Hal, the bassist -- and Kit Marlow. Guitarist and violinist.

     "It was a key," comes soft Latin, "... it had my name scratched into its surface... it had a note 'Those That Lead Us Forth'... it's like looking at death and greatness in the mirror, you look away, you close the box, you don't dare stare at Fate too long. Or it will freeze you..."

It was a dark, mysterious, and sometimes terrifying world that Morgan introduced me to. To suddenly see that humans were actually not at the top of the food chain was both shocking and deeply disturbing to me. It took me quite a while to accept that I was a vampire, let alone to get into the habits of one.

     Girault pivots. An eyeful of Christian. The rest of the world should be so lucky. "We claim him in the name of Italy and..." Dark eyebrows sweep upward even as his eyes make their own exploration.

     Ah, sweet Saturday night. Jazz night. One can relive the hey-day of Grand Paris in the 20s, when American musical refugees crowded cabarets. We adopted them, we French. Ah, how we do love refugees. I stopped you in the car with a kiss. I could not stand it. One more, before we must head indoors and act with that casual cool of Men Who Look At Other Men while in the presence of those ... not in The Know.

In a way, I don't completely blame him for his bitterness. When they should have been praising him for his discovery, they praised me directly for my Gifts instead.