
a twine of threads
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Caravaggio, In the Flesh
May 03, 2003
There are sounds of Him... stirring about. Something being put away. Something else being removed. A jacket, a nice jacket, a new jacket, is being removed. He has to admit, he half-hoped he'd come home to find you in bed. It was a wish he had somewhere midway between Edinburgh and here, return trip, about two-thirds the way through the first rain-snow mix of the season. It will not stick, it could not stick. It is too wet, too early. But the snow will soon fall. It will be a white December... The young man in the bed went under early this morning. Signs that he tried to wait are evident: the remote on your side of the linens, the book spine bent widely open. The Heart's Last Desire. Maybe he'll move to crime novels one year. Ian is not in the deep sleep that will come with sunrise, but instead, something gentler. Almost natural. Layers are removed until there is only shirt and undershirt, and the trousers. Doc Martens, the dressy, fashionable sort not the ass-kicking, steel-toed sort, are removed, peeled off heel-toe at the bedside and the curling of your fingers find him, layers of him. "It is good," Ian mumbles, mouth partially filled with pillow. He exhales audibly, a cleansing flow of oxygen. "It is about a young aristocrat, forced to decide if he will marry this girl that his father has arranged, or whether he will run away with a young man in the theatre." Of course. "And the India campaign is beginning, and the aristocrat may need to go..." "War and family, the great impediments to many a fine romance," comes the mull of his voice, warm with humor, held in his chest. William lowers the books and he smiles, the book -- your place dutifully saved -- set aside and he bends over you. No hair veils his eyes, nor is long enough to drape downward. He kisses you, with nothing in the way. And no scratch of a beard. "It was good, and... yes," and now it is all Gaelic, accenting all wrong, but beautifully so, "...they seemed to be, well..." William chuckles, "...the few I actually saw. Jezebel sends her greetings," as always, "...she wonders when she might see us together. I told her, perhaps I could arrange an evening of thrills and excitement in Edinburgh and ...lure you out. But," another kiss, "... my last duty done, I have little desire to leave the keep until winter is done." It is a look you have. Ian's hand comes to your cheek, feeling the smoothness. Change comes so easily now between us. It all could be lost in an instant, like a beard, and we would go on together. Ian's smile is warm, as if observing some great profundity. He comments not on it verbally, but the contentment can be felt. "When you go... if you go... you should simply be ...yourself. No apologies," he shakes his head, smile slanting. "I have at last surrendered the final vestiges of... " eyebrows lift and the look is pleasantly bland, "... giving a shite, as they say. It's unimportant. Those who love you, will love you. Those who don't? Well, who cares what they think anyway? Sod them..." And he'll include Alexandra in that. The flash of a grin is edged with distended vipers. "It is," Ian confesses. There is nothing like it. The only place that comes close now is Chinon. "In our own bed," the first bed, "...in our home," the first home shared. "And you..." Ian grins, "...how you are," he finally says aloud. "I had forgotten how you looked." Under all the layers. Fingers stroke softly. "When was the last time you were this way?" As if either of you could recall. "1185..." He laughs. And maybe that's true. William shrugs, not knowing himself when the layers were stripped away. Perhaps this is the first time, in truth. Perhaps it does not matter. It Is Now. The laughter turns to something warm, understanding. "I do not know that I have ever been as I am now. Or perhaps I was, and failed to see. I do not know. You like it..." He was not worried. "I am getting used to... not having hair in my face." A large hand lifts, raking through the short black hair. |